婆娑里 Po Suo Li
“中国园林是为了想象……他的环境是一种虚构，他的生活是一种哲学，他的宇宙是一个梦想。只有与世隔绝的人，才能体验到完满的快乐……可以说，中国园林，就是一场梦。” ——童雋·《论园》
“Chinese gardens are for imagination… His environment is a kind of fiction, his life is a philosophy, and his universe is a dream. Only those who are isolated from the world can experience complete happiness… It can be said that China The garden is a dream.” ——Tong Jun • “On the Garden”
在郑州东区的闹市之中，这是一处写字楼的裙房。平面有8米宽，31米长，长宽比接近4:1。出于建筑从业者的职业习惯，一个问题不由蹦出，过长的进深造成中部空间采光不足。
但这次我们要做个茶室，内含餐台和各式茶座若干，如此以来，狭长的平面反倒是带来了灵感，为何不利用这种阴翳之美？
In the busy city of Zhengzhou East District, this is the podium of an office building. The plane is 8 meters wide, 31 meters long, and has an aspect ratio close to 4:1. Due to the occupational habits of construction practitioners, a problem could not help but the excessively long depth caused insufficient daylight in the central space.
But this time we are going to be a tea room with a dining table and various types of tea seats. In this way, the long and narrow plane has brought inspiration. Why not take advantage of this shadowy beauty?
一：阴翳的中庭 静谧的力量
Shadowy Atrium Tranquility and Power
《阴翳礼赞》中有着对东方暗空间的精彩描述，相对于透亮明净的西式空间，模糊、暧昧、非直射光线的、阴影中的空间让人沉醉，自闹市而来，瞬间步入一个让人安静下来的空间，这正是此间茶室希冀的愿景。
In “The Praise of Shadows”, there is a wonderful description of the dark space in the East. Compared with the transparent western-style space, the fuzzy, ambiguous, indirect light and shadow space make people intoxicated. It comes from a busy city and walks into an intoxicating place in an instant. A quiet space, this is the vision that this tea room hopes for.
不经意地抬头，于是晤见“自然”
I raised my head inadvertently, so I met “Nature”
长谷川等伯 松林图 安土桃山时代
Hasegawa Tōhaku’s ” Shorinn-zu-byoubu”.
我们发现，真正的安静并非死寂无声，“蝉噪林逾静，鸟鸣山更幽”；“暖日当暄，又添蛩语”，适度的自然动感让人更好地体会宁静，这样的诗语也转化于东瀛茶室的空间构成之中，它不开窗看景，以保持道场的会神，但在封闭的小盒子里，光线却故意从高窗缝隙中溜入，在侘寂的墙壁上洒下光斑树影，隐约的鸟语虫鸣更强化了“致广大”的玄奥之感。
We found that true silence is not dead silence. “The cicadas sing, the forest is quieter, and the Niaosing Mountain is more secluded.” The gentle natural movement makes people feel more tranquil. This kind of poetry has also been transformed into the spatial composition of the Japanese tea room. Among them, in order to keep the contemplation of the dojo, they did not open the window to see the scenery, but in a closed small box, the light deliberately slipped in from the gap of the high window, and the shadow of the tree was sprinkled on the ground. On the walls of wabi-sabi, the faint sounds of birds, flowers, and insects chirping from the walls, strengthened the profound feeling of “to the vastness”.
于是我们决定在侧墙上开一扇宽大的长条高窗，并“附庸风雅”地将其类比于长谷川等伯的《松竹图》，竹在窗后随风摆动，让人晤见高墙后的“自然”。尽管说出来有些扫兴，实际上这是一处“虚构捏造”的风景，以遮盖新风和油烟风管，摆动的竹子也全凭蓝牙按键调风。
作为“画框”的则是黝黑的斜面洞口，光线顺势而下，投射在庭院的地面上，如果说摇曳婆娑的竹如同冷艳的笛声，那么粗粝的地面石块则像是狂放的太鼓，柔美与力量碰撞，在脚下泛起光泽，微光似乎缺乏变化，但却简洁有力，像是生命底层的原始呐喊，把人带入祭祀、庆典、战争的仪式场景之中……
So we decided to open a wide, long and high window on the side wall, analogous to Hasegawa Tōhaku’s ” Shorinn-zu-byoubu”. The bamboo behind the window swayed in the wind, allowing people to see behind the high wall. “natural”. Although it is a bit disappointing, the fresh air and lampblack pipes are actually a “fictional” landscape, and the swinging bamboo is also controlled by Bluetooth buttons.
As the “picture frame” is the dark inclined hole, the light follows the trend and is projected on the ground of the courtyard. If the swaying bamboo is like the sound of a cold flute, then the rough ground stones are like wild. Taiko drums, soft beauty and power collide, glowing under the feet, the shimmer seems to lack change, but it is simple and powerful, like the primitive cry of the bottom of life, bringing people into the ritual scenes of sacrifice, celebration, and war…
平滑与粗粝的对比，几何秩序构成宁静，其中蕴含着力量。The contrast between smoothness and roughness, geometric order constitutes tranquility, which contains power
阴翳中庭伴随着熹微亮光。The cloudy atrium is accompanied by a faint light.
步道上若有人影，也即成为风景。If there is a shadow on the trail, it becomes a landscape.
倚门相望，让自然成为一种遐想。Leaning on the door and looking at each other, let nature become a reverie.
简白而塑性的西侧前厅。Entrance of the East Restaurant full of composition.
二：通幽的步道，过道与对比
The quiet trail, transition and contrast
狭长的房屋进深又让人联想到里弄，这种空间类型并非只存在于烟雨江南，尽管在城市化进程中几不可见，但中原的古城古村深处也曾有着这样自然生动的肌理（比如沁阳北大寺聚居区和归德古城内被拆除的滨河聚居区）。
我们既然在房屋中部引入了下沉的阴翳庭院，和高窗的一道渲染“自然”，形成充满仪式感的精神空间。那么“豁然开朗”前的过渡则至关重要，既不能过于直白的开门见山，也不要闷不做声的沉默寡言。
The long and narrow houses are deep and reminiscent of Lanes. This type of space does not only exist in the Jiangnan area. Although it is almost invisible in the process of urbanization, the ancient cities and villages of the Central Plains once had such natural and vivid textures (such as Qin The Yangbei Temple settlement area and the demolished riverside settlement area in the ancient city of Guide).
Since we have introduced a sunken shadowy courtyard in the middle of the house, together with the high windows, we have rendered “nature” and formed a spiritual space full of ritual sense. Then the transition before the “sudden enlightenment” is very important, neither can be too straightforward, nor reticent.
为了充分利用光线，东西两侧的房间，与中庭形成对比。如此以来，使浓淡干湿取得平衡的应是黑白之间的“灰”，于是我们塑造了两条通幽的步道，随之步入，光线越发幽暗，眼睛和脚步带着好奇，慢慢寻觅。序曲之后终迎高潮，抬头忽见婆娑竹影，身处“深山秘境”，脚下 “流水潺潺”，何不落座、品茶、就餐？
In order to make full use of light, the rooms on the east and west sides contrast with the atrium. In this way, it should be the “gray” between black and white that balances the dryness and wetness. So we created two quiet trails. After stepping in, the light became darker, eyes and footsteps with curiosity, slowly searching . After the overture, I finally greeted the climax. I raised my head and suddenly saw the shadow of the whispering bamboo. I was in a “deep mountain secret” and “flowing water” at my feet. Why not sit down, drink tea, and eat?
充满构成感的东餐厅入口。Entrance of the East Restaurant full of composition.
踏着石阶，从明亮到幽暗。Stepping on the stone steps, from bright to dark.
东侧步道成为联系黑白的灰空间。The east side trail becomes a gray space connecting black and white
落日余光拖着长长的尾巴。The sunset is dragging a long tail.
夹层的阶梯茶室，温暖的光线营造出一方小天地。The terraced tea room on the mezzanine, the warm light creates a small world.
在这一过程中，室内的光线从明亮过渡到熹微，进而步入幽暗的精神世界，阴翳中的光线通过磨砂玻璃弥散，头顶的灰泥屋顶更强化了宁静之感，茶盏、烛光和漆器似乎注定与此空间为伴……
起承转合的空间韵律通过黑白色彩得以强化；摇曳婆娑的竹影通过浓淡光线得以生发。既然竹影婆娑，里弄通幽，我们干脆就称其为“婆娑里”吧……
In this process, the indoor light transitions from bright to faint, and then enters the dark spiritual world. The light in the shadow is diffused through the frosted glass, and the stucco roof above the head strengthens the sense of tranquility. Tea cups, candlelights and lacquerware It seems destined to be with this space…
The spatial rhythm of ups and downs is strengthened by black and white colors; the swaying bamboo shadows are brought forth by light and shade. Since the shadow of the bamboo is swaying whispering, let’s call it “Posuoli”…
三：偷光的风景，流动与静止
Scenery of Stealing Light：Flow and Stillness
我们希望为这间茶室融入自然印记，给人带来情感触动和记忆联想。阳光斑迹让人想到流动的时光，而过滤后的模糊光线则寓意静止，它们赋予了景物不同的感受。
We hope to incorporate the imprint of nature into this tea room, bringing emotional touch and memory associations to people. The traces of sunlight make people think of the flowing time, while the filtered blurred light implies stillness, and they give different feelings to the scenery.
黄昏降临，婆娑里字样化为光斑，拖着长长的影子变化身姿，斑驳着她的斑驳。When the dusk falls, the words in Posuo turn into light spots, dragging a long shadow to change her posture, mottling her mottled.
墙壁微光渲染出的侘寂。Wabi-sabi rendering by the low light on the wall.
开窗即纳入湖景与林木。As a result, the lake view and forest are incorporated into the window。